Director

In tandem with his work as an actor, Miles enjoys a fulfilling career as a director. His directorial ventures range from regional companies to New York, from contemporary to classical theatre, from full scale musical to nightclub cabaret, from film to television and digital media.

He's served as Artistic Director for Musical Theatre Renegades in Chicago and The Hot Spot Theatre Company in Hot Springs, Arkansas. He was lauded for his work as author and director in his marriage of Classical Theatre and Cabaret in the smash hit revue of Shakespeare in song Words Words Words & Music and has been nominated for multiple projects as Outstanding Director by the Manhattan Association of Cabarets and Clubs. Most recently, Miles received Po'okela Awards from the Hawai'i State Theatre Council, for his direction of 1776 at Paliku Theatre and Shear Madness at Manoa Valley Theatre. He was recently named Best Director for his direction of a short film of his staged reading of Carol Polcovar’s fascinating play Zarah! for PlayBuilders PlayFest 2021.

Miles received his graduate training with the American Conservatory Theatre in San Francisco and his Master of Fine Arts degree from the National Theatre Conservatory (ANTA).

Miles also serves as a private acting and audition coach. He coaches in groups, one on one, and remotely, via video chat. For information about his availability and services, please visit the contact page.

On The Boards

Miles directed the acclaimed production of The Mystery of Edwin Drood for Manoa Valley Theatre’s 2022-2023 season. It was a smash hit with audiences and critics alike and extended its run due to popular demand.

Based on Charles Dickens’ final novel, which was abruptly left unfinished at the time of his death, The Mystery of Edwin Drood takes on the challenge of picking up where Dickens left off by presenting the plot as a performance in a boisterous music hall, circa late 19th Century London. The company members of The Music Hall Royale enlist the help of the audience to solve the mystery when the original story comes to an abrupt halt midway through the second act by voting on various key plot points. The result is a delightfully funny musical with a glorious score by Rupert Holmes who conceived of the show, wrote the libretto and score, and won a slew of Tony Awards for his first Broadway show!

It’s a joyous and complicated show for performers and audiences alike, with many characters, dialogue, and plot twists and turns. Miles came up with a design concept that would help audiences keep track of both sets of characters (the actors of The Music Hall Royale as well as the Dickens characters they portray). He envisioned a vibrant and colorful world for the Music Hall that takes place in front of the big red velvet curtain, and then behind the curtain an old Victorian style Wing & Drop set inside a cameo proscenium where all the action is in sepia toned black and white, inspired by the original illustrations of Dickens’ novels. Thanks to an incredibly talented and dedicated design team, that vision became a reality, complete with two dimensional cutout set pieces and props, and vibrantly colored costumes that turned to shades of grey and black under sepia light. The end result was a theatrical feast for the eyes and ears.

The brilliant cast greeted audiences as they found their seats, ingratiating themselves in hopes of being voted the murderer in the final scenes. And they more than met the challenge of multiple perfomance styles while singing and dancing to Holmes’ sumptuous score.

This comprehensive collection combines production photos by photographer Brandon Miyagi and lighting designer Jonah Bobilin (plus a few by Miles, taken from the audience perspective) and captures the beautiful production design and remarkable performances.

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The Third Act

After a 30+ year career in the theatre from San Francisco to New York and all major stops in between, Miles felt the pull of the Pacific and decided to take the opportunity to move back to Hawaii for his “Third Act” — the intention being to unplug, unwind, and reconnect with the beauty of the islands while watching the glorious sunsets over the Pacific. But Hawaii had other ideas…

Since arriving, Miles has been embraced by the theatre community and he has happily continued his directing career. Each major production Miles has directed since arriving in Hawaii have been delightfully vibrant and, while dramatically different in subject matter and style, shared Miles' visual aesthetic and approach to storytelling. Fortunately, they’ve been captured on film by some of Hawaii's finest photographers. Below are fairly comprehensive galleries that capture the colorful, kinetic productions Miles has directed in Hawaii.

In March of 2020, one night before the first preview performance, after numerous meetings among all the various decision makers on the Board of Directors and the Hawai'i State Theatre Council, the call was made to postpone the opening of the highly anticipated Manoa Valley Theatre production of the hilarious wild west musical Desperate Measures. The entire company hit pause while navigating the uncertain waters of COVID-19, Social Distancing, MVT’s commitment to the theatre community and the public at large, not to mention the health of the amazing cast and crew.

After a 22 month pandemic pause, Desperate Measures finally opened in January of 2022 to standing ovations and unanimous critical and audience acclaim! After close to three years, beginning with pre-production, Miles was delighted to share his unique vision of David Friedman & Peter Kellog’s joyous musical adaptation of Shakespeare’s Measure for Measure with not only Hawaii, but the world, thanks to live streaming of three performances and a weekend, after the show completed its run, via the popular streaming platform Broadway On Demand!

This comprehensive collection of production photos by Jonah Bobilin provides a glimpse into the beautiful production design and the hilarious/moving/gloriously sung performances from a remarkably talented cast.

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Making Theatre During a Pandemic

After several months of lockdown, Miles teamed up with Kailua Onstage Arts to stage two live productions, both inspired by the times we were all facing, as a creative community, as a nation, and as a global civilization. Both productions were staged in a massive covered parking garage, Drive-In style, with the actors performing within a huge circle of parked cars, and the sound transmitted to their FM radios. Both productions were met with enthusiastic critical and audience response and enjoyed extended runs. Miles shared some insight into the creative process for both shows.

“I was particularly excited to have had the opportunity to find inventive ways to create socially distanced, site-specific/environmental theatre at a time when we were longing to participate in theatre, but couldn’t gather in groups. We rehearsed via Zoom until we moved into the parking garage for tech/dress. We opened the week of the election, and honestly we weren’t sure what world we could be playing to until opening night. The increasing anger, hostility, division, and fear, absolutely inspired my setting of Lisa Peterson and Denis O’Hare’s brilliant play, which lent itself perfectly to such tumultuous times!

“The action focuses on the events around the legendary battle between Achilles and Hector, during the Trojan War. For me, it’s not a war play or an anti war play, but an exploration of the potential for blinding, devastating rage we all have within us, as well as our capacity to choose to let that rage go. Our ability to seek calm, embrace empathy and understanding.”

“I was struck by how timely Christopher Durang’s hilarious and moving examination of 80s New York City felt. Social anxiety, racial inequality, gender inequality, LGBT rights, religious oppression, new age spirituality, climate change, gun violence, polarizing politics, reality TV, and oh yes a devastating global pandemic. As Peter Allen sang, back in the 80s ‘Everything Old Is New Again.’

“But even more, I was moved by the central theme of the play – the fundamental need we all have to connect, even in the face of what feels like insurmountable obstacles, whether real, imagined, or self-imposed – and the masks we wear as we navigate the comedy and tragedy of daily human existence in a modern society.”

Miles was invited by Manoa Valley Theatre to direct their revival production of Shear Madness, which had played to great success 20 years before. The wildly funny murder mystery farce set in a hair salon, has been in constant production since it opened in Boston 40 years ago and it is officially the longest running play in America. Hit productions have opened around the world, and they have been primarily directed by the original creators. Miles happily accepted the opportunity to take on the direction of such a beloved comedy. Each production of Shear Madness around the world is updated to reflect current events and local references. Miles spent months writing new jokes and populating the script with names and places that filled it with Hawaiian flavor. He enlisted the help of a wonderful production team, notably Set Designer DeAnne Kennedy, Costume Designer Carlynn Wolfe, Hair & Makeup Designer Lisa Ponce de Leon, Lighting Designer Janine Myers, and Graphic Designer David Cox, to create a delightful, tropical world that clearly reflected 2018 Waikiki while honoring the concepts of the original production. He also enlisted the talents of videographer Paul Goto and local television news celebrity Pamela Young, as well as cameo photo appearances from local celebrities like Hawaii Five-0’s Jorge Garcia and Hawaii State Legislator Chris Lee, to give the production additional moments of surprise, crowd-pleasing local authenticity. The result was a smash hit! The original run sold out, playing to standing room only houses, and then enjoyed multiple sold out extensions. The cast featured six remarkable actors who displayed exceptional character skills and the ability to take anything the (very) enthusiastic audiences threw at them, and turn it into comedy gold. The entire cast (Dan Connell, Fabienne Flandre Herold, Sean Koegel, Alan Shepard, Shannon Winpenny, Stephen J. Wyman) was honored with the Hawai'i State Theatre Council Po'okela Award for outstanding achievement by an Ensemble in a Play. And Miles received his third Po'okela Award, this time for Director of a Play!

Production photos by Erich Steinwandt, with additional photos by Chuck Babbitt and Miles Phillips.

Miles directed a glorious production of 1776 at Hawaii's Paliku Theatre. The cast featured some of the finest talent on the island, gathered from musical (and non musical) theatre, opera, dance, film, television and radio. Miles envisioned the action springing to vibrant, colorful life from a dust draped setting that was a cross between the actual Independence Hall, The Jefferson Memorial, and The Metropolitan Museum of Art. Miles wanted to provide glimpses into how the decisions made by the men in the history books touched the lives of the ordinary men and (notably) women outside the "room where it happens." The response from critics and audiences was unanimously enthusiastic. 1776 won seven Hawai'i State Theatre Council Po'okela Awards, including Outstanding Musical Production and Director of a Musical award for Miles!

Here's a fairly comprehensive collection of photos, taken primarily by the incredible Chuck Babbitt, with additional beautiful photos by Anna Foster, Mo Radke, and Miles Phillips.

Working with Miles

Featured

Rob Langeder

I have known Miles Phillips for many years now - sharing the stage with him as a fellow actor, crafting characters under his trusted guidance as a director and toiling side by side with him when he served as the Artistic Director of The Hot Spot Theatre Company. In Miles Phillips, we have a director with the uncanny ability to channel the various aspects of his life experience into a laser beam focus of artistry.

In the pre-production and casting phases, Miles displays remarkable clarity of vision. Yet he instinctively knows when to bend that vision in order to maximize the strengths of what other directors might call 'constraints.' Miles thinks both inside and outside the box with equal facility. His capacity for the instant recall of historical, critical, artistic and literary references is absolutely encyclopedic. And his senses of logic, style and taste render the use of superlatives into gross understatement. Calling Miles Phillips 'insightful' is like referring to the Taj Mahal as 'a quaint little cottage.'

Then, likely informed by his years working in design, Miles creates natural, unforced, yet well-composed stage pictures that further illuminate the core ideas of the playwright. Miles possesses an intimate understanding of spatial relationships and the significant psychological impact they have on the subconscious mind.

And, finally, during the rehearsal process - drawing from his experience as a classically trained actor - Miles knows exactly what to say to encourage the deepest possible connection to character. He is an inspired acting coach and equally adept at directing classical, contemporary and musical theatre. Because he himself is a critically acclaimed vocalist with a passion for singing intelligently, Miles hears both the song inherent in speech and the speech inherent in song. I have seen Miles coax enjoyable performances from the novice actor and finely-wrought, subtly nuanced performances from the seasoned professional.

For these reasons and countless others, I heartily recommend Miles Phillips without hesitation.

Actor/Director/Producer

Lisa Barnes

I had the pleasure of being Miles Phillips’ assistant as he directed the wonderful production of 1776 at Paliku Theatre in 2016. At the time, other Hawaii theatres were executing exciting musicals, which had been on the roster for months – 1776 was a last minute decision for Paliku. Most actor/singers were involved in those other shows, but Miles was able to find a cast, some performers with very little experience, and evoke lovely performances out of them. His knowledge of music and every word in the song and book is like watching a Shakespearean scholar dissect great literature. Miles has an outstanding sense of theatricality, something that is missing in so much theatre these days, which I really appreciate. He is deeply professional, humble, funny, and loves his actors, musicians and staff. He's a damn great actor as well. I can’t recommend anyone more!

Actor/Teacher/Writer/Director

Tom Holowach

It has been my pleasure to have Miles Phillips on our production team at Paliku Theatre. Producers in Hawaii certainly always want directors with “New York experience,” but cringe in anticipation of inevitable culture clash. Miles has the temperament and values to be able to work with a local team, as well as his stunning array of professional talent and experience. Nobody can agree with everybody about everything, but Miles Phillips has a brilliant way of allowing others to voice their ideas, consider them seriously, then smoothly decide in a way that is always supportive and never hurtful. With Miles, the only drama is what the actors create during the show. Besides being a show producer, as an actor who has been directed by Miles, I felt respected, instructed and educated. It is rare to have someone just suddenly appear on the scene, and work so well immediately with everyone he encounters. I look forward to every opportunity I can create to work in performing arts with Miles Phillips.

Manager – Paliku Theatre

Anna Foster

I had the pleasure of working with Miles Phillips during Paliku Theatre's production of 1776 in 2016. I was the Projection Designer and Costumer on that production. Miles was a wonderful director to work with; he had a strong and clear creative vision for the show and worked with the creative team to make his vision a reality. Miles has a full understanding of theater and spoke knowledgeably with designers. He was well prepared for rehearsals, meetings and tech week and expected his cast to be at the same level of preparedness. Personally, I found Miles to be kind, witty and patient with an impressive knowledge of theater and acting. I look forward to the chance of working with him again in the future.

Designer/Assistant Technical Manager Palikū Theater

Tracy Rae Wilson

It is my great pleasure to recommend Miles Phillips. As a choreographer, I had the opportunity to collaborate with Miles on Carol Channing in Concert at the Wings Theater in 2008.

Miles’ outstanding directorial skills emerged quickly after rehearsals for this production began. The production schedule was tight, the budget small, but expectations were high for a terrific show. Miles had the difficult task of fulfilling the creative vision of the star of the show while maintaining a sensible direction and timetable. He was able to create a safe, creative atmosphere full of professionalism and respect.

Miles is truly an actor’s director. Having vast experience as an actor/singer himself, he was able to step into the performer’s shoes to understand what struggles they faced in creating their roles. His focus on acting the songs enabled the performers to bring a reality and truth to the piece you don’t often see. His direction made sense and had purpose. And his approach is hands on, consistent, and genuine.

He was a great help to me in my task of choreographing for a theatrical production based on a cabaret style act. Not only had he worked with the lead before and knew how to manage a larger than life personality, but he also had a plethora of knowledge of the style, time period, and repertoire with which we were dealing. Miles would let me know when something I had created was too much for the space or realm of the show. He encouraged my ideas and aided in a lot of the blocking I was creating without stifling my vision. Many times his creativity helped me when I suffered a block. These are characteristics any choreographer hopes to find in his director.

Miles’ dedication to our production was relentless. When the actors were released he would continue working with the writer, set designer, and producer long into the night, always sacrificing his own needs. He did much of the technical grunt work from hanging drops and lights, to shopping for costume pieces and sweeping the floors in order to have a great production.

His love of the theatre is apparent in every aspect of his being and he brings with him a sense of joy and enthusiasm often missing these days in what I like to call ‘corporate’ show business. If you seek an experienced, knowledgeable, calm, positive force of energy, I believe Miles Phillips is a most qualified person for your program. I truly feel he will be a wonderful asset to any theatrical venture.

Actor/Choreographer

Kate Anderson

We were fortunate to have Miles Phillips conduct a workshop entitled ‘Acting the Song.’ He worked with ten students over a three hour period and the results were just wonderful. He set up a very relaxed environment where the students could work with focus and ease, and he found ways to interact with each student in unique ways that helped each one make incredible progress.

I was very impressed with the breadth of musical literature that Miles has at his fingertips. No matter what genre of music the student had prepared, Miles was able to give suggestions based on character and specifics of the material that addressed depth, honesty and individual interpretation.

I am happy to recommend Miles in this capacity. In fact he is such a multi-talented artist that I would imagine that any workshop or class he taught would be greatly beneficial to your students.

Director of Theatre – Kansas State University

Dara Seitzman

I have had the pleasure of knowing and working with Miles Phillips for over fifteen years. He has served as my teacher, mentor, director and co-performer. I have found him to be patient and supportive. He has the innate ability to bring out the best in others. We met my first year in New York City during a production of Queen Margaret. He was a striking leading man who knew his way around a broadsword. I was surprised to find out he enjoyed working on Shakespeare, staged combat and musicals as I did. But even more important than his extensive range of performing and directing talents, he was very generous to and supportive of those of us who lacked his professional experience. Miles proved to be an excellent listener who was both fair and constructive with his comments.

His organizational skills, his ability to nurture and his general excitement and enthusiasm were contagious when we worked on Words Words Words & Music, a revue of Shakespeare in song. As the author and director he took me under his wing and asked me to choreograph the show. I discovered then he could be a teacher and a group member at the same time, and we made a great team. I continued to learn and grow, working closely with Miles, and I admired how he was always prepared, exhibited compassion, and had a great sense of humor. He had superb suggestions about the arcs of the songs and the flow of the actors. I observed his ability to respectfully say exactly what each actor needed to hear to get to the next level, and he always encouraged us to try something new. Since then Miles and I have worked on numerous shows and cast recordings. I remain impressed with his management skills, ability to create new characters and inspire everyone else around him to maintain the high expectations he demonstrates.

I look forward to working with Miles again, in any capacity, and am proud to call him my good friend.

Actor/Choreographer

Joshua Warr

Miles Phillips is one of the smartest interpreters of words and lyrics in the field. His razor sharp directing sense, paired with his beautiful and caring humanity, makes Miles Phillips easily one of the greater directors with whom I've ever worked. I've felt immensely blessed to collaborate with Miles Phillips. I always know my projects are in incredible hands with him. He's a leader among leaders, he's a keen listener, and he puts art on the pedestal it deserves. He understands the heartbeat of a piece and does all he can to illuminate just how special it really is. He can do this with every single thing he touches; it's his Super Power. And it's why Miles Phillips is my go-to.

Actor/Director/Nightclub Singer

Jason Wynn

Miles Phillips is an incredible individual to work with. Since 2000, I have worked with him in nearly every possible fashion: as a singer, singing my own compositions; as a singer, under my music direction; as a director for my singing performance and my acting performance. His work is always top-notch. His vocal abilities and sound are nothing short of amazing. His rich baritone voice is really one of the most beautiful out there and beyond compare. What really aids his performances from a singing standpoint, is his ability to act – fully act – each number he does. And he has the brilliant insight to find new facets to each song, new direction with each set of lyrics.

I have also never met a more collaborative individual. I have been a music director for his solo shows on numerous occasions. And the ideas that he develops for his shows are very inspired. We have a very extensive history of feeding off each other. He will present an idea to me, I’ll take it and ‘run with it,’ he’ll expand on that, etc.

I have also had him as a director on three of my own shows. On all three, he helped find an incredible arc that I never thought would have been possible. He can take the most random, seemingly unconnected, offbeat selection of songs and put the whole thing into a VERY cohesive show. Plus he has the ability to help direct the songs from an acting standpoint and really help someone not only get fully in tune with the text of the music, but find new interpretations that they never felt possible. And as a performer, I can truly say that he brought performances out of me that I am very proud of and would never have expected. And as I am often the music director of my cabaret shows, he has inserted his ideas and his shape without interfering with my vision and my expectations. Consequently, he has helped out with whatever needs to be done, but always puts the performer first.

This all, of course, reflects how he is as a person – insightful, extremely creative, collaborative, generous and talented. With an incredible voice to boot.

Musical Director/Actor/Multiple Award Winning Composer

Christina Bianco

I have known Miles Phillips for many years, not only as a director & co-worker (having recorded many musicals together) but also as a friend. I’ve attended many cabarets and shows that Miles has directed and/or starred in. His work and talent impressed me so much that I asked Miles to direct my cabaret debut show Small Wonders, which received critical acclaim and a MAC nomination.

In my opinion, Miles possesses the key tools one needs to teach and direct successfully: Experience, Patience, Creativity and Humor. Even at the most stressful of times, his even-temper and witty manner allows him to bring out the best in his students by coaxing them, not pushing them. As an actor, I can tell you that is something not every director/teacher can achieve. Miles is a true ‘people person’ who excels at communicating what he’s thinking in a clear and simple manner. He enables his students to be comfortable and at ease, which allows them to do their best work. However, I can tell you from first hand experience that he is not afraid to drill an exercise over and over again if he feels you are not giving your best.

As a performer, he is equally adept singing the most difficult of scores as he is acting them. I feel that any actor would benefit from Miles’ expertise. Watching him tell a story through song can be a lesson in itself.

Miles is always on time, organized, efficient, extremely competent, and has an excellent rapport with people of all ages. In short, I strongly recommend him. I firmly believe that he will be a valuable asset to any team.

Actor/Singer/Impressionist/MAC and Drama Desk Award Nominee

Tracy Yamamoto

I had the pleasure of being directed by Miles in a recent production of 1776 at Paliku Theatre. His devotion and energy toward our production was impressive. He gave serious and creative thought to each role, no matter how small, and carved out special moments for every character to shine and share his/her story. He fostered teamwork and connection among us as a cast. And, his good efforts resulted in a beautiful and well-executed production that received wonderful reviews. After having been directed by Ron Bright (recently deceased) for nearly two decades, I was encouraged to see that Miles is a man who brings similar qualities to the directorial job, and who could help to bring forth quality theatre here on Oahu for many years to come.

Actor

Garry Morris

Miles Phillips is an astute, creative, innovative and experienced theatre director. I had the privilege of working with him in the Fall of 2016 in Paliku Theatre's production of 1776. His respect for actors, designers and crews is evident by his collaborative and outgoing nature while working on a production. He shared with us his wealth of experience from his professional life as a director and actor in live theatre. Miles works with the actors to bring out the best of their talents in a gracious and gregarious way that makes rehearsals joyous, creative, collaborative experiences. I look forward to working with Miles again as he continues to offer his gifts as stage director and actor to Hawai'i's theatre community.

Associate Professor – Chaminade University

Eli KM Foster

I enjoyed the opportunity of working with Miles Phillips on Paliku Theater's production of 1776 in 2016. As an actor of many years, I have worked with many directors, few as professional as Miles. Miles has a clear creative vision, which he relates to his actors and then allows them to create. He commands respect by setting the example in all aspects of production. His love of story and experienced craft make him a tremendous director and exquisite storyteller.

Actor

Neil Scheibulhut

From the audition to closing night, being directed by Miles was a great experience. Always encouraging, he brought his innovative vision to life by bringing out the best in his actors. I personally grew significantly as an actor through Miles' direction, and I know I'm not alone. I'm very thankful to have worked with him, and would be thrilled to do so again in the future.

Actor

KoDee Martin

Miles Phillips always made sure that we were working in a safe, positive, and uplifting environment; while still being able to push when necessary to get us to the next level, he did it in a way that lifted up each actor rather than put them down. In regards to me personally, he made it a true collaboration. Miles sat me down, allowed me to explain my personal analysis of the character and the song, listened to every word, shared his thoughts and ideas, and we truly collaborated to find a Courier that was accessible for me every night, and one that fit into the vision of 1776 that he had. Never in my career have I ever had that type of collaboration, and I treasured every single moment of it.

Actor

Jonathan Whitton

I feel so lucky to have found a kindred musical spirit in Miles Phillips in a most rewarding and collaborative process. Perhaps most valuable, aside from the close friendship we formed, is how Miles was able to help 'open up' songs so I could attack them from a different perspective. Even songs that I had been singing for years became fresh and new to me again. Best of all, he never inflicted his view of what he thought it
'had to be,' instead he worked towards a resolution where I could be comfortable and at ease onstage. In Cabaret, I believe that to be the best kind of working relationship.

Actor/Director/MAC and Bistro Award Winning Vocalist

Sue Matsuki

Miles has a keen eye for both the profound and the ironic. He is a master of the English language and will help you to get every ounce of the meaning across in a song or a dramatic reading. He's a wonderful singer/actor/performer in his own right, so he has that experience to bring to the table as well. He's also easy to work with and I trust him. I can unreservedly recommend him.

Multiple Award Winning Cabaret/Jazz Vocalist

Liz Donathan

I had the pleasure of working with Miles in 2001. He directed me in his production of Words Words Words & Music. Miles brought incredible joy to the rehearsal process. A true 'actor's director,' Miles, using patience and incredible skill, helped me tap into what I thought was a difficult personal obstacle to reach an honest and touching performance that I can be proud of. I can't wait to work with him again!

Actor

Hector Coris

Miles is one of the best directors in town. His experience will bring your show to an exciting and fulfilling level. The shows I've seen that he has directed have been totally satisfying from start to finish. He is a hands-on director who will guide your vision into something you will be extremely proud of. Plus, he's super nice! Before you look to hire any other director, contact Miles first!

Actor/Singer/Songwriter/Director/Designer

Ben Rauch

I just wanted to thank Miles Phillips for his outstanding direction and guidance for my show An Evening With Horace Vanderveer at The Laurie Beechman Theatre. He brings not only his extensive experience and talent to the table, but his humility and kindness. I felt right at home with him from the start.

Actor

Jill Cathleen Johnson

I can't say enough good things about Miles. Because Miles is a performer and a singer himself, his ability to understand the actor is wonderful. He is insightful and has an amazing way of working. I hope to be able to work with him in the future. He is professional yet kind, a rare bird in this industry.

Actor

Meghan Newman

Miles created a friendly, relaxed atmosphere for our master class. While being encouraging and friendly, he also had a keen critical eye to see what needed to be improved in our pieces and had very helpful, unique ways to help each individual with his or her piece. Every person in that master class made great strides after working with Miles. He was so encouraging and positive and lovely to work with; I hope I have the chance to work with him again!

Kansas State University 2009

Michael Wieser

Miles is completely honest and professional. He is candid about the business and his knowledge and experience is something any young performer needs to hear.

Kansas State University 2009